gallium.

Micro-detune wander depth. Two incommensurate-rate sin LFOs drift the per-grain pitch up to ±30¢ from source. 0 = identical to source. Higher values feel like a singer who is a touch more relaxed than they were on the main take.

Per-grain timing wander. WSOLA cross-correlation aligns each grain to ±5 ms in the source for phase-coherent OLA at any hop, so wander stays smooth even at high values. Subtle = human; higher = looser second-take timing.

Dynamics modulation depth. Per-grain level wander adds mic-distance variation between takes — micro-loud and micro-quiet syllables on the same line. Subtle values feel human; cranked it pulls toward "different singer."

High-frequency "cotton dab" cut. Takes the edge off without dulling the take — pairs with the granular path's 3 kHz band-split that already passes the original-source HF through untouched, so this works like a tone control on the granular layer.

Stereo placement of the rendered double. L100 = hard left, R100 = hard right. Pan each double across the field to build a chorus that fills the stereo image, or stack them in the centre for thickness.

Per-grain variance amount — adds noise to time and gain wander only. Pitch stays smooth so the key never wanders. Higher values pull the take toward "different singer" rather than "same singer breathing."

Per-double level. Pre-master-output, so the IN meter still reads the source — only the OUT bus reflects this trim. Use it to balance doubles against each other before the master output stage.

Semitone pitch shift. PSOLA-grade — 4-way Hann OLA at 75% overlap, 25 ms grains, cubic Hermite buffer reads. The cached ratio (2^(ST/12)) only recomputes on knob move. Above 3.5 kHz the dry HF passes through, crossfaded out by |SHIFT| so consonants stay clean during gentle shifts.

Micro-detune wander depth on top of SHIFT. Same dual-LFO drift as the offline pitch wander, capped at ±10¢ for live so the centre note stays audible.

Capped lag wander. The live path can't go past the buffer's baseLag headroom, so live timing wander is tighter than offline — still enough to break unison phase against the dry.

Dynamics modulation depth — same range as offline. LFOs are sub-sampled at a 32-sample stride and linear-interpolated, so the live cost stays low while the per-track motion still feels natural.

HF cut on the granular path. Same role as in Export — works alongside the live 3.5 kHz band-split to give a tone control without dulling sibilance.

Stereo placement per live track. Sample-accurate — moving the knob during playback is glitch-free.

Per-grain variance — same role as in Export. The wander rate scales up with VAR while the LFO depths stay capped, so each grain feels like a slightly different micro-take.

Per-track level. Live mix uses juce::FloatVectorOperations::add + multiply, and dB-to-linear is std::exp2(dB / 6.0206) — the per-knob change has near-zero hot-loop cost.

Per-track preset menu. Lists user presets at top, factory presets in a sub-menu, plus Save / Open Folder actions. Drop a saved preset onto any double in either mode — Export and Live share the library.

Opens the per-double EQ pop-up — five band types (bell, lo / hi shelf, hi / lo pass, notch) on a continuous response curve with live spectrum overlay. Tone-shape each double independently before the output bus.

Mute toggle. Mutes only this double — source bus and other doubles keep playing. The button reads ON when active, OFF when muted.

Reseed the RNG and re-render. Each double's wander LFOs start at incommensurate phases, so reseed gives a meaningfully different take with the same knob settings. Use it when a double doesn't quite vibe with the lead.

Drag the chip onto a track in your DAW — the rendered double writes to a temp .wav and the OS-native drag begins. Drop-in is sample-aligned with your source position.

Delete this double row. The render scratch buffer is freed; A/B and presets remember their own sets, so removing a row in the live state doesn't touch what's stored in slot B.

Master output trim. Sits ahead of the output bus meters. Single big black knob; reads 0.000 at unity. Use to make up for designer mode level drop or to leave headroom before the DAW's track fader.

Single-knob tilt EQ around a 1 kHz fulcrum. Negative = darker, positive = brighter. Reads FLAT at zero. Tilt sits after the doubles mix so it shapes the whole stack at once.

Master track-spacer amount. Cranks the per-double 4-stage all-pass cascade (alternating-sign, hierarchical curve) to remove the comb-filter phasing between doubles and dry vocal. State persists for A/B and presets.

Mixes the source (Export) or live input (Live) back into the output. Off = only the doubles. On = doubles + source. Useful when you need the dry inside the plug-in for monitoring rather than in your DAW chain.

(Live mode) Passes the host input through to the output. Toggle off and only the doubles are heard — useful for routing the plug-in onto a send / aux track.

Vertical green→yellow→red meters for IN and OUT. The CLIP indicator turns red when the output bus peaks ≥ 1.0. Same canonical gradient regardless of signal — meters indicate severity, not identity.